![]() It's $4000 but that's way less than a vintage CS-80. ![]() ![]() Incidentally, a boutique synth that replicates the CS-80 pretty well (without keyboard) is the Deckard's Dream. Vangelis was also a huge CS-80 fan and used it on the Blade Runner soundtrack. The ones I know of are the Hydrasynth (out for a couple years now), the Behringer UB-Xa, and the Iridium keyboard (both introduced this year). A lot of synths can use polyphonic aftertouch but only a few new ones actually have poly-AT keyboards. The CS-80 transmitted aftertouch of each individual key, and had nice controls to to adjust how it used that information. But for most it's just channel aftertouch, meaning it transmits the aftertouch of the key you're pressing the hardest. And most have aftertouch, meaning they transmit how much force you continue to apply after hitting bottom. Most have velocity sensitivity, meaning each note transmits how much initial force you applied. It had polyphonic aftertouch, which most synths don't have today. She seemed to favour it particularly for its touch-sensitivity, and it was one of the few synths that offered the feature at the time. This would be compatible with both 32 bit and 64 bit windows.> she used the Yamaha CS-80 as her main composition instrument. This is complete offline installer and standalone setup for Syntorial.
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